The Girl in the Pictures

 

Inwood neighborhood, northern Manhattan, 1930s. 

https://myinwood.net/map-oval/ 

On the day before my mother died, she lay fully dressed and propped against pillows atop her neatly made bed. As always, she wore a silk scarf around her neck.

By the time I arrived in the early afternoon, she felt very sick. In a few weeks she would be 96 years old and something was catching up with her. 

Though pleased to have a visitor, she spoke little and spent much of our time together looking at a wall by the bed where hung two portraits of herself at a very young age.

Once, breaking the silence, she gestured toward the pictures and said that she liked looking at them.

They had hung on that wall since she moved into the apartment seven years earlier. I’m now certain that they were there by some grand design:  for the moments she still inhabited and those that followed the next morning until she was gone. 

My mother shared very few memories of growing up as an only child in a one-bedroom apartment in New York City with her grandmother and parents.  

Yet it happens that she shared the stories of the portraits.

One weekend in September 1929, perhaps a month before the stock market crashed, my 1-1/2 year old mother toddled happily along Dyckman Street, a busy shopping street in her northern Manhattan neighborhood, Inwood.  

Her delight was captured in a photo snapped by her father (most likely), but it was her mother who decided to have it enlarged and colorized. She must have hung it on the living room wall.

The second picture came to be in 1932, the worst year of the Depression. My mother’s parents operated a luncheonette on East 20^th Street in what is now called the Flatiron District. 

In the luncheonette, my grandmother worked the cash register and my grandfather cooked. Their four-year old daughter, my mother, accompanied them downtown when no one could watch her at home. 

One day a penniless artist came by. He offered to draw my mother in return for a meal. Afterward, my grandmother folded the drawing and stuck it in a drawer, surely under some handkerchiefs. She had many. It was retrieved and framed after her death in 1968. 

The two pictures are my closest point of reference for understanding my mother. Gazing at them evoked something inside her—not so much a jolly childhood as the city where she was born in 1928, which she adored throughout her life.

“I was in love with New York,” wrote Joan Didion.

 

I do not mean love in any “colloquial” way, I mean that I was in love with the city, the way you love the first person who touches you, and you never love anyone quite that way again. 

My mother told me that she never asked her parents and grandmother about their escape from Ukraine during the first decade of the twentieth century. The bleakness and horror that once filled their eyes and ears became deep wounds that one would not share with a child, even if she were to inquire.   

For the little girl, however, there was New York City. It stretched as far as she could see in every direction, hers to discover:  first, with the three adults; then on her own.

Her neighborhood at the top of the island, its old-growth forest crowned with schist and marble formations, ran down to meet the Hudson River.

The George Washington Bridge rose 40-odd blocks south.

The “A” train’s last stop was 207^th Street, whose steps she flounced down or ran up thousands of times.

It’s an old story. The daughter of immigrants who have the great fortune to come to America, she finds herself at home in the city. The two pictures were the beginning.  

George Washington Bridge, 1931

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Bad Guy Vignettes

 

"Manhattan: Central Park - The Majestic Apartments"
(New York Public Library Digital Collections)

When my mother was a student at Hunter College during the late 1940s, she routinely traveled south on the A train from her family’s apartment in Inwood, a neighborhood at the tip of northern Manhattan.

She’d get on at 207^th Street and ride until 72^nd Street. Then she would transfer to a crosstown bus to the East Side, where Hunter is located.

Walking by the luxurious Majestic, one of several Art Deco apartment buildings that had been built along Central Park West around 1930, my mother often spied a violet-colored Cadillac waiting at the curb. One day she asked the doorman to whom it belonged and he told her “Mr. Costello.” That was Frank Costello, the mobster who lived upstairs.

Ten years later, in May 1957, Costello would survive an assassination attempt in the Majestic’s lobby. A few months went by before the FBI and the New York City police homed in on the shooter: an “ex-pug”—pugilist—known as “the Chin.” He was Vincent Gigante, acting on behalf of the Genovese family.

The 25-year old Gigante wore a size 50 suit and waddled when he walked. Some newspaper accounts referred to him as “the Waddler” rather than “the Chin.”

Gigante, his wife, and four children lived downtown on Bleecker Street. The detectives staked out his house around the clock. Yet Gigante eluded them until one August afternoon when he showed up at the West 54^th Street police station (accompanied by his lawyer). “Do you want me in the Costello case?” he asked.

“We sure do,” said Deputy Inspector Fred Lussen. But Gigante would not cooperate, refusing to answer questions.

I explained this to my mother and she smiled and nodded. She wouldn’t have been paying attention in the spring of 1957 because she had a brand-new bouncing baby boy, my older brother.

1931 Dyckman Street shooting

Then I told her that she’d had a closer brush with gangsters up there in Inwood in 1931 when she was three years old. It turns out that another three-year old girl, also named Gloria, was shot to death at the end of a 90-minute gun battle between the police and two robbers.

Advertisement for Mendoza
Fur Trade Review, 1931

Just before 5 o’clock on a warm Friday afternoon, a policeman escorted the paymaster of the Mendoza Fur Dyeing Company, who carried a payroll of $4,619 from a bank, through the plant’s parking lot. Two robbers approached the car and shot the policeman and threw the paymaster on the ground.

Then they led a chase that ranged along twelve miles of streets in upper Manhattan and The Bronx. Six people would die, both patrolmen and bystanders who were starting the weekend a few minutes early as the season wound down toward Labor Day. The youngest victim was little Gloria Lopez, whose mother Matilda told reporters that she and her husband, a fireman, had tried for a decade to have a baby.

The story made it into the Great Falls, Montana newspaper.

The chase finally ended near the corner of Dyckman Street and Broadway in Inwood, an intersection that remains a touchstone of my mother’s childhood memories.

She was too young to remember playboy Mayor Jimmy Walker, who presided over the city. At the time of the shootings, Walker was traveling in Europe because New York State Governor Franklin D. Roosevelt had appointed a commission which threatened to investigate the Tammany Hall corruption that Walker enabled.

Meantime, Mayor Jimmy Walker was in
Germany "for his health."

In this way Walker resembled previous mayors beholden to Tammany. But his indifference to the robbery and deaths—which inspired the American Legion to offer to mobilize 30,000 members to patrol the city with bayonetted rifles—was exceptionally offensive.    

“Being 3,000 miles from New York,” Walker told reporters, “I am ignorant of the circumstances of the shooting. I cannot give any opinion.” Then he was off to a brewery in Pilsen, whose mayor announced that Pilsen beer was not only an excellent but sanitary drink.

Jimmy Walker quaffed a stein and commented that none of the cathedrals or museums he had visited in Europe gave him greater pleasure than the beer. He hoped that the Pilsener sign would soon return to New York, he said.

My mother, Gloria (left), with an Inwood playmate, 1931

It would be two more years before the repeal of Prohibition. In the meantime, Governor Roosevelt forced Walker to resign and my mother continued to toddle around up and down Dyckman Street, holding her mother’s hand. It could have been her caught in the crosshairs, but then I wouldn’t be telling this story.

*In 1933, Mr. and Mrs. Lopez became the parents of John. Jr. 

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