Betty Wales Gardens: A Mount Vernon Story

 

Newspaper advertisement for home
 in Betty Wales Gardens, 1921

The Goldman Costume Company took off right around 1900, turning out dresses, skirts, and shirtwaists for America’s young women.

New York City’s garment industry flourished in sweatshops while the exhausted girls who hunched over sewing machines marched and struck for nearly a decade before they won higher wages and fewer hours. 

By that time, Jacob Josiah Goldman, the son of Jewish immigrants from Poland and president of the company, had become restless. In the manner of E.H. Harriman, he became J.J. Goldman and decided to leave the city.

J.J. moved his family—wife Lollie and four children—to Mount Vernon, N.Y. He purchased a massive stone house, “Grey Rocks,” up on a hill near the border of the highly restrictive village of Bronxville. 

Stone pillar at the corner of "Grey Rocks" property

There, in 1913, J.J.’s son Louis was married in a spectacular wedding where potted palms outnumbered guests. The mansion still looms over the street below, largely unseen by passersby.

In August 1914, while the world panicked about troop mobilization in Europe, J.J. Goldman announced a contest in the trade journal Women’s Wear Daily. Fifty dollars for the reader who proposed the best name for a new line of dresses for young women, to be manufactured by the Goldman Costume Company.

Up in Rutland, VT, Lena B. Carr, the business manager of a local power company, occasionally sat down at her typewriter and wrote articles for Women’s Wear Daily. That’s how the contest came to her attention.

Carr didn’t pull “Betty Wales” out of the air.

One of her neighbors in Rutland, Edith K. Dunton, was a Smith College graduate and author of a series of popular books starring a young woman named Betty Wales. Dunton wrote under the penname Margaret Warde.

The first book, Betty Wales, Freshman, was published in 1904. Seven more followed, in which Betty Wales attended college and found her first job, as a secretary.

Before J.J. Goldman chose the name “Betty Wales” and handed a $50 check to Lena Carr, he went to Vermont to meet with Dunton. They signed a licensing agreement. At Goldman’s request, Dunton penned the last book in the series, Betty Wales, Business Woman (1916).

It was a great match of bestsellers: Betty Wales dresses and Betty Wales books. Occasionally Goldman advertised promotions: buy a dress, get a free book. He opened Betty Wales shops around the country. Department stores carved out prime retail space for the brand.

Then Goldman turned his attention to real estate.

 

***

 

Unfortunately, Mount Vernon was effectively segregated by a railroad cut, dug in the late nineteenth century, which created a “South Side” and a “North Side.”

By 1917, investors had bought up land well north of the cut. They intended to create residential neighborhoods far from the commercial district in the four-square mile city. 

Among the picturesque properties, the 75-acre Forster Tract, assembled during the 1890s, cried out for development. There was a rush to lay out and macadamize streets, plant trees, and build houses.

As a well-known philanthropist and founder of Mount Vernon’s Rotary Club, J.J. Goldman surely had made the acquaintance of local businessman Walter King Cooley, a crackerjack realtor and builder, president of a new firm, Gramatan Homes, Inc., where a talented young man named Lewis Bowman was chief architect.

Announcement in the 
Mount Vernon Daily Argus, 1917

Now they joined together to create “Betty Wales Gardens,” a 12-house community with a swimming pool and tennis courts. The Mount Vernon Country Club lay a block away.

The 12 English cottages would be designed by Bowman. Gramatan Homes announced:

 

The property is to be laid out in the form of an English garden, with shrubbery, trees, etc., and will probably have its own water supply from artesian wells.

 

Within two years, “two of the cutest little homes that have ever been built” were put up for sale on Wales Place, a new street without sidewalks that wended its way down a small hill.

More cottages followed and the development was successful. Bowman designed a few Tudor-style homes, too. I have identified 11 houses but not the twelfth.

Betty Wales cottage, built 1918

Then tragedy struck in 1921. J.J. and Lollie Goldman, who had sold Grey Rocks and moved to the Hotel des Artistes in Manhattan, were in a  car crash outside Chicago. Lollie was killed.

Goldman returned to Mount Vernon, where his daughters and their families lived. He moved into yet another stone mansion where his daughter Elizabeth (Bessie) Einstein lived with her husband Jay and their three children. 

Eventually, Goldman retired to Miami, where he died in 1948. By then, new brands were overtaking Betty Wales dresses.  

Wales Place remains, a quiet lane with an incongruous name off the beaten path. Some of the houses have been refaced or painted bright colors, and one or two look abandoned. 

And not an artesian well in sight.

Aerial view of Betty Wales Gardens
(Google maps)

https://www.throughthehourglass.com/2026/04/betty-wales-gardens-mount-vernon-story.html?m=1

The Houses Lewis Bowman Left Behind: A Mount Vernon Story

Mount Vernon home designed by Lewis Bowman in 1917.
He and his family lived there until 1920. 

 

Bowman was born in 1890 in New York City. His family soon moved to a “Foursquare” on Franklin Avenue in Mount Vernon, N.Y., a fast-growing suburb.

“Foursquare”—because the clapboard house was boxy with a porch and a dormer, a rising architectural style that rejected ornate Victorianism. 

“Bowman”—because some people who live in the houses he designed more than 100 years ago have the habit of announcing: “it’s a Bowman!” as one might exclaim, “it’s a Picasso!” These homes are clustered in southern Westchester County, about 30 minutes by train from Grand Central Terminal.

Quite a few of the best-known, grandest houses that Bowman designed are located along Elm Rock Road in Bronxville, N.Y. They belong to very proud residents of a village that considers itself close to perfection, right next door to Mount Vernon. 

Yet Charles Lewis Bowman, who graduated from Cornell University in 1912 with a B.A. and an M.A. in architecture, left an equally consequential imprint in his hometown.

 

***

While studying at Cornell, Lewis Bowman (he dropped “Charles”) worked summers at the renowned architecture firm, McKim, Mead & White. The prestige did him no harm, of course, but he said it was like working in a factory.

Therefore in 1912 he returned to Mount Vernon, moved in with his parents,  and joined the Milligan Company.

House designed by Lewis Bowman for the Milligan Company, 1917.

Lewis Bowman's drawings for the house pictured above.

Andrew W. Milligan had made a fortune in metals before turning his attention to home construction in 1906. His trajectory resembled that of Andrew Carnegie and other capitalists who rode the wave of modern industry. Milligan sold many a battleship and cruiser to the U.S. Navy during its sweeping nineteenth-century rehabilitation. 

Now 50 years old, Milligan rented an office on First Street overlooking the railroad cut and joined forces with Walter King Cooley, a hometown real estate broker who had planned to become a physician but changed his mind.

“I consider the outlook bright!” Cooley proclaimed to anyone who asked about Mount Vernon’s prospects.  

Walter King Cooley
Who's Who in Westchester (1925)

Indeed, most American suburbanites looked forward to a charmed future.

Milligan and Cooley planned to build up-to-date homes on small plots in a variety of architectural styles. Alas, Milligan died unexpectedly in 1907. Cooley continued the construction business, which was quite successful. Subsequently, he reorganized the company and established Gramatan Homes, Inc.*

Lewis Bowman was just 21 when Cooley offered him the position of chief architect.  

This decision transformed the new company.

Young Lewis Bowman in his studio
(Bronxville History Center)

 

The young man proved to be extraordinarily versatile. He created dozens of Colonials, Tudors, and English cottages that went up quickly during the boom years surrounding World War I.

I believe there are far more than have been identified. Clues appear in trade journals wherein Bowman’s designs were lauded. Occasionally, he published an article and sat for an interview. One can only hope that greater access to Bowman’s plans and properties will come someday, when the City of Mount Vernon decides to run a professional Building Department.

Bowman disliked modernism, insisting that he could not imagine swapping stone, brick, slate, and other classic building materials for steel.

Yet he embraced modern conveniences: attached garages, heated garages, the best furnaces and boilers, closets with shoe shelves, sinks flanked by porcelain drain boards, and so forth.

The houses that Bowman built in Mount Vernon fall largely within a slice of the Forster Tract (see previous post), a multi-acre property assembled by developers in the 1890s.  

Bowman designed this house for an investor's daughter. It is located on Frederick Place,
 Mount Vernon, N.Y. 

In 1917, Bowman decided to build his own house on a double lot in the Forster Tract. He had married Eleanor Holwick of Canton, Ohio in 1913, and their daughter, Jean, came along just as the house reached completion. Perched on a rocky corner, it incorporated features that would distinguish his later work.

House designed by Bowman, 1920, Mount Vernon, N.Y.

One wonders when Bowman began longing to be on his own. As the twenties progressed, he surely saw the possibilities. In the meantime, an unusual adventure awaited the Gramatan Homes gentlemen. 

 

https://www.throughthehourglass.com/2026/02/the-houses-lewis-bowman-left-behind.html?m=1

*The company took its name from an Indian sachem who conferred land to white settlers, the area now encompassed by Eastchester, around 1700. The story has never been documented fully.    

 

   

 

 

  

 

   

 

 

 

 

The Forster Tract: A Mount Vernon Story

 

Corner of Forster & Primrose Avenues, around 1900

Around 1890, when the lawyer Frederick P. Forster shifted his gaze from Manhattan to Mount Vernon, N.Y., the burgeoning village was two years shy of incorporating as a city. 

Beyond the commercial district where the railroad chugged through, much of Mount Vernon’s four-square miles formed a patchwork of farms, fields, orchards, and eighteenth-century manors.

A 39-year-old Boston native, Forster thrived on real estate deals, buying and selling along the Hudson River and in Riverdale. In 1888 he came to Mount Vernon to referee an auction of contested land.

Before long he returned, now in partnership with three local men: Winfield, Murphy, and Lucas. These three were big boosters of the city and looked forward to investing in property and making a lot of money.

The blustery Winfield claimed he was already a millionaire, having made his fortune buying and selling land in South Dakota.

Forster had no particular affinity with Mount Vernon, although periodically during the next 20 years he would make noises about building a house there. The house never materialized, and it appears that Forster conducted business from a distance.  

Ironically, three city streets are named for him although he declined the opportunity to lend his name to a small park.

Original bricks are still visible under
street pavement on Forster Avenue.

That park, where my friend and I used to chalk up the sidewalks with childish pictures, lay in the middle of what became known as the Forster Tract.

Eventually the four men amassed 75 acres. Since the tract bore Forster’s name, his investment probably was the largest.

By 1901 they were on their way. “The Choice Forster Tract Being Improved,” one headline stated, “The Most Desirable Land in Fifth Ward.”

Winfield, Murphy, and Lucas hired men to regrade the terrain, lay out and macadamize the streets, and install sewers and gas lines after slugging out costs with the city.

On some of the new streets one might find an old farmhouse. But most of the lots stood empty, waiting to be purchased.  

 

SECURE FIRST LOTS AT BOTTOM PRICES.
High ground, flagged sidewalks, high terraced lots.

Only 10 minutes walk to Station.

 

The Forster Tract 

 

***

 

Alas or perhaps not alas, Frederick Forster never got to see the development of the Forster Tract. In 1912 he leased out the family home on West 84^th Street and skedaddled to Milton, Mass. with his wife Edith and six of their children.

There, in the winter of 1913, the Forsters hosted their daughter Dorothy’s wedding to a Yale man with the inimitable name of Rutger Bleecker Miller.  

Soon after, the scandal hit the papers. As executor of several large New York City estates, Forster had borrowed and embezzled upwards of $900,000, even causing one man to go to jail because he could not pay alimony.

The ensuing lawsuits and bankruptcy uncovered securities fraud.  

Forster’s defense—he claimed to have been afflicted with partial paralysis—did not hold water with the eminent Judge Samuel Seabury, who would go on to bring down Tammany Hall in the 1930s.

In 1914, Forster was forced to relinquish his unsold property in Mount Vernon. This may have broken his heart. If so, he did not suffer long, dying one year later at age 62.

I must confide that this news came as a terrible shock. Although it has been impossible to find a portrait of Frederick Prentiss Forster, I imagined him as an amiable bearded man who put the interests of his clients first.

It would seem to follow that the streets which bear his name—Frederick Place, Forster Avenue, and Forster Parkway—honored a generous spirit with an artful sensibility.

I love Mount Vernon, but it has a habit of misleading me.

  

To be continued.

https://www.throughthehourglass.com/2026/01/the-forster-tract-mount-vernon-story.html?m=1

Introducing Mr. Primrose Avenue

George Primrose, promotional card, 1880s

 

In my hometown of Mount Vernon, New York, Primrose Avenue ran less than a mile between two main streets. Yet to a child, it seemed to go on forever, uphill and down dale. 

Since we walked and biked everywhere until we got our drivers licenses, the streetscape etched itself into our youth.  

Passing by, day after day, trudging or whizzing along, one couldn’t help noticing the graffiti on a traffic box, the unruly shrubs that overran a particular corner, and the tree roots pushing up sidewalk slates. 

I don’t remember seeing primroses but surely they had bloomed 90 years earlier . . . small vibrant flowers scattered beneath the trees that shaded Mount Vernon’s undeveloped tracts.

Of course that’s why the street was called Primrose Avenue. And the grassy triangle where the terrain dipped was Primrose Park.   

But the time has come to make a correction. The name has nothing to do with flowers. 

George H. Primrose, an entertainer who made his fortune as a Blackface minstrel, arrived in Mount Vernon around 1885. Before long, he built a “showplace mansion” for himself, his wife Emma, his brother Albert, and a terrier named Baby.

 

Primrose Avenue, circa 1900

In 1959, an old-timer watched from across the street as the big house was razed to make room for a parking lot.

He recalled Primrose as an “end man,” the comic who stands at the end of a row of performers at a Blackface minstrel show. The end man banters with the master of ceremonies, whose serious manner contrasts with the insulting racial stereotypes that the audience finds uproarious.      

Primrose, his role central to the show, continually refined his act. He was alert to “modern trends in minstrelsy,” according to a newspaper report.

Despite the demolition of his mansion, Primrose left an imprint on Mount Vernon. While he toured widely, he found time to buy land on the north side of the city where he built speculative homes with turrets, broad lawns, and wraparound porches. They still stand.

Scientific American published
special editions on architecture and building.
(1893)

By now no one recalls Primrose’s many appearances at the local Proctor’s Theater, which opened in 1914. How delightful to stroll along the promenades and enjoy climate control that was “cool and comfortable as an ocean breeze.”

  

Black minstrelsy became an American fixture during the 1830s, launched by Thomas D. Rice, who conceived the character of "Jim Crow,” a plantation slave.  

Before each show, white actors darkened their skin with shoe polish or burnt cork and dressed in outlandish costumes. They performed as duos or in troupes that drew crowds through the Antebellum Era, the Civil War, and into the 1920s.   

White audiences howled with laughter at skits, songs, and monologues that ridiculed Black life and culture. When vaudeville became popular in the late nineteenth century, Blackface performers also appeared on the bill. These variety shows catered to working-class whites, but racist entertainment also showed up in high and mighty places.

Poster for Primrose & Dockstader,
1880s

During the Theodore Roosevelt administration (1901-1909), the White House welcomed Mary L. Leech, a singer of “coon songs” including “You’se Just a Little Nigger, Still You’se Mine All Mine.”  

George H. Primrose, a Canadian born in 1852, came on the scene in Buffalo as a circus performer. In 1871, he turned to Blackface.

For much of his career, Primrose toured with William H. West. Their troupe, Primrose & West, celebrated its 25^th anniversary at Madison Square Garden in 1896. Mount Vernon residents must have been excited that one section of prime seats was set aside for them. 

 

During the show, Primrose & West pleased the old-timers with a clog dance from their early days and plenty of Blackface acts.

Just a few months later, the U.S. Supreme Court would establish the “separate but equal” doctrine in the Plessy v. Ferguson decision.

Racism was continuing at a nice clip.

As an up-and-coming city, Mount Vernon naturally would want to be in the vanguard, so it’s not surprising that a Blackface minstrel got to be the namesake of an avenue and park. 

George H. Primrose
(1852-1919)

https://www.throughthehourglass.com/2025/03/introducing-mr-primrose-avenue.html?m=1

The Bird Man Comes to Mount Vernon, N.Y.

 

Otto Standke, 1920s

In March of 1888, Otto Standke made his entrance at the family farm in eastern Missouri, the sixth of seven children.

They all grew up in a white cottage surrounded by eighty acres of orchards and vineyards. The family’s great sorrow was that their father lost his hand and part of an arm in a terrible accident. Thereafter he relied on his wife to manage the farm work.

Caroline and William Standke were German immigrants who arrived in the U.S. around 1870. They met and married in Ohio—secretly, to avoid a “charivari”—and rode off in a spring wagon to start their life together in Missouri.*

Among their children, a few married and others moved to Atlanta, Toledo, and Little Rock. Otto stayed nearby. 

He was interested in new mechanical devices, such as the gramophone, and games like puzzles and magic tricks. A natural salesman, he got a job behind the counter at the Montgomery Ward store in Kansas City.

On the side, Otto made money in landscaping and raising chickens. He was also busy inventing machines and securing patents, he said, although there is no record that he ever received a patent.

During the 1930s he moved to Great Bend in central Kansas, where he soon became superintendent of parks with special responsibility for maintaining the grounds of the Barton County Courthouse.

There was a curse on this courthouse.  

Through the summer and into late fall, Otto raked, mowed, and trimmed to perfection. And every morning the lawn, benches, shrubs, statues, bandshell, and playground were coated in the white droppings of starlings.

 

"Super Glossy Starling" from
The New Natural History by Richard Lydekker
(1901)

It was an infestation. As dusk approached each afternoon, thousands of starlings swooped into town, flew to the square, and roosted in the trees until dawn. 

When the dirty, noisy birds first arrived in 1924, Great Bend vowed to get rid of them. Over the years, nothing worked.

But now that World War II had been won and the atomic age begun, Otto stepped forward with a secret plan.

And sure enough, Otto rid Great Bend of its starlings. He worked at night and no one knew exactly how he did it. “It’s a military secret,” he told reporters just before Wichita hired him to evict the starlings that roosted on its department stores.

By this time, Otto carried his equipment in a large double-locked metal box and dubbed himself “the world famed only successful starling chaser.” Moving on from Wichita, he banished the starlings from the federal building in Indianapolis. Louisville and Youngstown also requested his help.

Then, in 1958, he was called east.

Mount Vernon, N.Y., a 30-minute train ride north of New York City, had been plagued by starlings and grackles since 1924. But its problem was not confined to a few buildings or a park; the birds roosted citywide, although they did have a few favorite neighborhoods.

“Active warfare” is how Mayor William D. McQueston described battling the birds, estimated at 10,000 annually, during the late 1920s. The New York Times reported:

 

Last year policemen were placed on duty armed with riot guns with which they peppered the trees sheltering the birds. The fire department was called upon to use the high pressure system and sweep the trees free from the nests, and roman candles were used, the fiery balls temporarily scaring the birds from their nests.

Mount Vernon policemen shooting
at grackles, 1950s.

One of the streets most affected by the infestations was home to a man born in Mount Vernon in 1920. Dr. Perlman of Commonwealth Avenue probably remembered the starlings and grackles from his childhood. 

He must have read about Otto Standke in the newspaper and wrote to Mayor Joseph Vaccarella, urging him to hire the birdman. The mayor agreed. 

By now it was August 1959 and Mount Vernon’s trees cast deep, indispensable shade, rustling with birds or an imminent thunderstorm.

Soon Otto arrived. Wearing a red plaid cap and chomping on a stogie, he climbed out of a cab with his suitcase and mysterious metal box. He ran up the steps to the Hotel Hartley. He was a brisk 71 years old.

 

Hotel Hartley in better days. 

The next day, greeted by the mayor, the health commissioner, and the public works commissioner, Otto signed a five-page $4,000 contract that stipulated staggered payments based on results.

He started at twilight on Commonwealth Avenue.

Surrounded by children in pajamas and adults carrying umbrellas, Otto had no choice but to reveal what he carried in his box: two metal flappers six inches wide and two feet long and a shiny metal chime, also two feet long, which he wore around his neck.

He put the flappers on his hands and set forth, clapping and clanging. Everyone followed along talking and laughing. After a while, the birds flew away.

Alas, things didn’t work out for Mount Vernon and Otto. The city gave him a week to get rid of all the birds. After six twilight treatments, they were as profuse as ever. And Otto complained that only starlings, not grackles, responded to his equipment.

Both parties agreed to revise the contract and more treatments ensued. Two weeks later, the birds remained in Mount Vernon along with Otto, who spent his time arguing with city officials and conducting telephone interviews with reporters. 

EFFORT TO RID CITY OF BIRDS TOTAL FAILURE ran the headline in the Mount Vernon Daily Argus.

In mid-September, after the mayor announced that the city would not honor the contract, Otto departed. He had new jobs, he said, in Philadelphia and Cleveland.

Still hoping to get paid, Otto sent a few friendly postcards to Mount Vernon officials. That’s how they learned that ABC television producers had proposed to fly Otto out to Hollywood.

“If Otto had not come to Mount Vernon and got all that publicity about his little box and its mysterious contents,” a city commissioner remarked, “he probably never would’ve made television.”

Now let’s see. It can’t be just because he was a Kansas man!

Perhaps it’s because of his promises and bluster, his craving for importance.

Somehow Otto had the whiff of the Wizard of Oz.

*A charivari is a mock serenade to celebrate a wedding.

 https://www.throughthehourglass.com/2024/09/the-bird-man-comes-to-mount-vernon-ny.html?m=1

 

 

Story of Henry Littlefield - Part 2

 

Henry Littlefield's grandfather, Walter Littlefield,
was an eminent journalist, editor, and author.

The journalist Walter Littlefield could tackle any subject.

 

Emile Zola: Novelist and Reformer - 1902

Russia in Revolution - 1905

The Birth of United South Africa a Unique Event - 1910

Should We Build a Channel Tunnel? - 1917

Dante in Art and Translation - 1922

 

This list is the tip of the iceberg. In beautiful economical prose, Littlefield wrote about the American West, the charms of New England; war, European politics, the Wahhabis’ 1924 invasion of the Hejaz . . . 

Walter Littlefield was a reporter and editor at the New York Times (1898-1941), a literary correspondent for the Chicago Record-Herald (1903-1913), and the author, editor or translator of books about James Russell Lowell, Dante, Lord Byron, and Captain Alfred Dreyfus.

Littlefield's best-known story about Dreyfus
appeared in Munsey's Magazine in 1899.

His coverage of the Dreyfus Affair rendered him an expert on the case and enabled him to make the leap from his native Boston to New York City in 1898. He and his elegant, Italian-born wife, Luigina Pagani Littlefield, would live in Greenwich Village until the 1940s.

Born in 1867, a descendant of English colonists, Walter began publishing his own short stories in 1889, the year he entered Harvard to study languages and history. On the side he tutored college-bound students in comparative literature, fine arts, and languages.

After he graduated from Harvard, Walter Littlefield
taught and tutored in Boston.

By 1893 Walter had graduated and married Luigina, a “gifted musician with a voice of more than ordinary richness, educated at the Notre Dame Academy,” the newspapers reported.

She was the daughter of Dr. Joseph Pagani, who studied medicine in Rome and Palermo before immigrating to the U.S. in 1865. Inexplicably, Pagani received a medal from Dom Pedro II, the last monarch of Brazil, and was a member of an ancient Russian Aryan order. 

Surely influenced by Luigina, whose West Twelfth Street salon drew the American and European intelligentsia, Walter developed a passion for Italian culture and politics. He fell hard for Mussolini in 1921, corresponding regularly with Dux, as he called him, and reporting for the Times:

 

Mussolini is being called a dictator. But so was Garibaldi, when he seemed to be carrying on war in defiance of the orders of King Victor Emmanuel. It is easy to mistake, in times of political turmoil, the words of a disciplinarian for those of a dictator. Like Garibaldi, Mussolini is a severe disciplinarian, but no dictator. How can he be when he swears to recognize the authority of his Majesty? 

One year later, the Times published Walter’s poem, “Fascisti.” In appreciation of the poem, Victor Emmanuel declared Walter a Commendatore della Corona d’Italia (Knight of the Crown of Italy) in 1933.

Littlefield wrote his poem in the early 1920s.

Between his knighting, the Reichstag fire, and other momentous events, Walter must have been unusually preoccupied in 1933 when he and Luigina became the grandparents of Henry Miller Littlefield, son of their son Henry Mario Littlefield. 

Actually, Henry Miller Littlefield was the second child of Henry Mario Littlefield, who had a daughter by a previous marriage and would soon head to Reno to divorce his second wife, Elizabeth, mother of newborn Henry.

Reno, 1933: "wild scenes were enacted at the
office of County Clerk 'Boss' Beemer."

Luigina died in 1945 and Walter in 1948, by which time they had left West Twelfth Street and moved, oddly, to the town of New Canaan, Connecticut. By then, Henry Miller Littlefield was a teenager.

Since he told students that he grew up without a father, one wonders whether he ever met his paternal grandparents. He grew up to become an imaginative historian and teacher of whom Walter and Luigina would have been proud (even if they disagreed about Mussolini).

 

See previous post, "Story of Henry Littlefield," March 8, 2023. 

https://www.throughthehourglass.com/2023/04/story-of-henry-littlefield-part-2.html?m=1