Top of a nineteenth-century mirror which belonged to my husband's grandmother; Currier & Ives' Home for Thanksgiving |
There’s a poem that I love, Souvenirs, by Jane Cooper. She was a longtime professor and poet in residence at Sarah Lawrence College. It starts:
Anyway
we are always waking
in
bedrooms of the dead, smelling
musk
of their winter jackets, tracking
prints
of their heels across our blurred carpets.
So
why hang onto a particular postcard?
If
a child’s lock of hair brings back
the
look of that child, shall I
nevertheless
not let it blow away?*
Why hang onto a particular postcard?
Very soon my husband and I will
start to pack up, getting ready to leave our house in the Atlanta neighborhood
of Druid Hills where we lived for ten years.
Like most people, we carry with
us not only the relics of our own lives but those of our parents and
grandparents. Some of it is just stuff – and some not at all.
Over time, the collections
have been winnowed ruthlessly. But many letters, books, photographs, paintings,
and all kinds of objects have made the cut repeatedly. Each time they open up
to us, there is a story. They have to come along.
Atlanta garden, spring 2010 |
As meaningful as these
possessions may be, the places that we humans inhabit matter equally.
Each place where we live will
echo the first place we knew, as the French philosopher Gaston Bachelard has
written. He argued that we are always returning to that first place, a “house
of memories . . . psychologically complex.”
We refer to it emotionally, unconsciously,
throughout our lives.
In fact, that first space is “physically
inscribed in us. It is a group of organic habits,” Bachelard wrote.
“Like a forgotten fire,
childhood can always flare up again within us.”
As children we develop ways
of doing things, ways of feeling that stay with us lifelong. Many of them originate
in that first place we know.
Habit. Inhabit. Two words that appear not to share etymology
yet are intimately connected.
Nantucket box, a present from my childhood friend Ellen |
*”Souvenirs”
by Jane Cooper, from New and Selected
Poems (1984).
https://www.throughthehourglass.com/2018/05/possessions-place.html
What did Lillian Hellman call it? Pentimento. Yes.
ReplyDeleteI love this poetry you have quoted as well as your musings. Where to next? NYC?
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