In the summer of 1971, I went
hiking through Yellowstone National Park as part of a cross-country group trip
sponsored by the YMCA.
We were walking along,
minding our business, when a guy with a walrus mustache stepped out from behind
a tree.
“Hey man,” he said, “want
some acid? Want some red devils? Want some yellow-jackets?”
We said no thanks and
scurried away; not feeling threatened, just uncertain.
That trip was my first
exposure to the Midwest, the Plains, and the West Coast. We even swooped down
to Tijuana.
Of course most of us were in
our early teens and a bit too young to reflect deeply on some of the things we
perceived –
Namely, the
discomfort we engendered as fast-talking suburban kids.
You couldn’t miss it in the
eyes of housewives when we descended on a laundromat in Abilene, Kansas,
filling the machines and then sitting around waiting for the clothes to be
done.
You could see parents gather
their children when we swarmed into a diner near Colorado Springs. Everyone stood
back. We drew wary attention wherever we went.
One might think that the
generation gap, still in the news at that time, had reared its head. But now I
don’t think that’s the case.
It had more to do with the locals’
recognition that we came from out there, not here. That makes sense because in
1971, although most Americans owned a television, a culture gap persisted
between those who lived within and those who lived outside of metropolitan
areas.
Nothing new,
of course. The 1920 U.S. census was the first in which more people resided in urban
than rural regions. During the decade that followed, the expansion of radio and
rise of mass culture enabled access to new information, fashion, and ideas no
matter where one lived.
But one thing that did not
change was the image of the dangerous city, with its corrupting influences, which
prevailed in parts of the country with dwindling populations. People who
believed and behaved differently – largely immigrants; also “city slickers,” “high
society,” and other urban stereotypes – often aroused apprehension if not fear.
So it’s not surprising that
during the early 1970s, even a bunch of gregarious white kids could bring out
strong feelings: Who is this? What is this?
After Los
Angeles the tour wound down and we made short work of the rest of the trip, driving
northeast through Missouri and Kentucky, on to the village of Nyack, N.Y., from
whence we started.
And then how lovely to return
to the hometown groove, back to Mt. Vernon, a place just as comfortably
familiar as Abilene, Kansas, was to its citizens.
The ice cream store, dry
cleaner, pharmacy, bakeries, stationers, Woolworth’s, Chinese restaurant – a
streetscape still etched in my mind.
And now, located between a funeral home and a pizzeria, something new had appeared: a store run by the man who had stepped from behind the tree in Yellowstone. It sure looked like him.
Of course it couldn’t be. This
guy wasn’t selling drugs (so far as we could see).
Rather, upon entering his
shop, you bumped into a glass case full of what’s now called “Boho” jewelry. Batik
pillows, wood carvings, and ceramic incense holders covered various surfaces. Tie-dye
shirts, dashikis, and peasant blouses hung in the back. And tumbling from the
ceiling, spider plants suspended in macramé hangers. The latter were integral
to the unfortunate decor of the seventies.
Already the
counterculture had morphed into “over-the-counter culture,” to quote Susan
Sontag.
In the course of a few
encounters, we found the proprietor to be a very nice man. But how on earth did
he land in Mt. Vernon? Definitely a miscalculation!
Our city’s young people, largely
middle-class and racially and ethnically diverse, gravitated toward Army &
Navy stores on the city’s South Side.
He would have fared better in
the affluent village next door, where most of the kids actually wore love beads
and walked around with lots of cash.
The store couldn’t last long.
Within a year, it closed.
I wonder where he came from
and where he went next; a hippie merchant, passing through in the seventies.
Collage by Claudia Keenan
https://www.throughthehourglass.com/2016/08/passing-through-in-seventies.html
It was the East Coast ethnic Jewish/Italian New York accent vibe, but I assume that's all under the umbrella of "fast-talking?"
ReplyDeleteI can't help but think of Lucy as a big city vamp to Tennessee Ernie Ford.